Be a Member of this BLOG

Search This Blog

Mar 22, 2022

Ecofeminism and Poscolonialism


 1. Postcolonial literature often addresses the problems and consequences of the

decolonization of a country, especially questions relating to the political and cultural

independence of formerly subjugated people, and themes such as racialism and

colonialism. A range of literary theories has evolved around the subject. It addresses the

role of literature in perpetuating and challenging what postcolonial critic Edward Said

refers to as cultural imperialism.

2. Migrant literature and postcolonial literature show some considerable overlap.

However, not all migration takes place in a colonial setting, and not all postcolonial

literature deals with migration. A question of the current debate is the extent to which

postcolonial theory also speaks to migration literature in non-colonial settings.

3. The significance of the prefix "post-" in "postcolonial" is a matter of contention among

scholars and historians. In postcolonial studies, there has not been a unified consensus

on when colonialism began and when it has ended (with numerous scholars contending

that it has not). However, the majority of scholars have agreed that the term

"postcolonial" designates an era "after" colonialism has ended. The contention has been

influenced by the history of colonialism, which is commonly divided into several major

phases; the European colonization of the Americas began in the 15th century and lasted

until the 19th, while the colonisation of Africa and Asia reached their peak in the 19th

century. By the dawn of the 20th century, the vast majority of non-European regions

were under European colonial rule; this would last until after the Second World War

when anti-colonial independence movements led to the decolonization of Africa, Asia

and the Americas. Historians have also expressed differing opinions in regards to the

postcolonial status of nations established through settler colonialism, such as the United

States, Canada, Australia and New Zealand. Ongoing neocolonialism in the Global

South and the effects of colonialism (many of which have persisted after the end of

direct colonial rule) have made it difficult to determine whether or not a nation being no

longer under colonial rule guarantees its postcolonial status.


4. Before the term "postcolonial literature" gained currency among scholars,

"commonwealth literature" was used to refer to writing in English from colonies or

nations which belonged to the British Commonwealth. Even though the term included

literature from Britain, it was most commonly used for writing in English written in British

colonies. Scholars of commonwealth literature used the term to designate writing in

English that dealt with the topic of colonialism. They advocated for its inclusion in literary

curricula, hitherto dominated by the British canon. However, the succeeding generation

of postcolonial critics, many of whom belonged to the post-structuralist philosophical

tradition, took issue with the "commonwealth" label for separating non-British writing


from "English" language literature written in Britain. They also suggested that texts in this

category frequently presented a short-sighted view on the legacy of colonialism.

5. Other terms used for English-language literature from former British colonies include

terms that designate a national corpus of writing such as Australian or Canadian

literature; numerous terms such as "English Literature Other than British and American",

"New Literatures in English", "International Literature in English"; and "World Literatures"

were coined. These have, however, been dismissed either as too vague or too

inaccurate to represent the vast body of dynamic writing emerging from British colonies

during and after the period of direct colonial rule. The term "colonial" and "postcolonial"

continue to be used for writing emerging during and after the period of colonial rule

respectively.

6. The consensus in the field is that "post-colonial" (with a hyphen) signifies a period that

comes chronologically "after" colonialism. "Postcolonial," on the other hand, signals the

persisting impact of colonization across time periods and geographical regions. While

the hyphen implies that history unfolds in neatly distinguishable stages from pre- to

post-colonial, omitting the hyphen creates a comparative framework by which to

understand the varieties of local resistance to colonial impact. Arguments in favour of the

hyphen suggest that the term "postcolonial" dilutes differences between colonial

histories in different parts of the world and that it homogenizes colonial societies. The

body of critical writing that participates in these debates is called Postcolonial theory.

7. Postcolonial Literature Characteristics

1) Appropriation of Colonial Languages. Postcolonial writers have this thing they like

to do.

2) Metanarrative. Colonizers liked to tell a certain story.

3) Colonialism.

4) Colonial Discourse.

5) Rewriting History.

6) Decolonization Struggles.

7) Nationhood and Nationalism.

8) Valorization of Cultural Identity.


Eco-feminism


1. Ecofeminism is a branch of feminism that sees environmentalism, and the relationship

between women and the earth, as foundational to its analysis and practice. Ecofeminist

thinkers draw on the concept of gender to analyse the relationships between humans and

the natural world. The term was coined by the French writer Françoise d'Eaubonne in her

book Le Féminisme ou la Mort (1974). Ecofeminist theory asserts a feminist perspective of

Green politics that calls for an egalitarian, collaborative society in which there is no one

dominant group. Today, there are several branches of ecofeminism, with varying approaches

and analyses, including liberal ecofeminism, spiritual/cultural ecofeminism, and


social/socialist ecofeminism (or materialist ecofeminism). Interpretations of ecofeminism and

how it might be applied to social thought include ecofeminist art, social justice and political

philosophy, religion, contemporary feminism, and poetry.

2. Ecofeminist analysis explores the connections between women and nature in culture,

economy, religion, politics, literature and iconography, and addresses the parallels between

the oppression of nature and the oppression of women. These parallels include but are not

limited to seeing women and nature as property, seeing men as the curators of culture and

women as the curators of nature, and how men dominate women and humans dominate

nature. Ecofeminism emphasizes that both women and nature must be respected.

3. Though the scope of ecofeminist analysis is dynamic, American author and ecofeminist

Charlene Spretnak have offered one way of categorizing ecofeminist work:

1) through the study of political theory as well as history;

2) through the belief and study of nature-based religions;

3) through environmentalism.

4. While diverse ecofeminist perspectives have emerged from female activists and thinkers

all over the world, academic studies of ecofeminism have been dominated by North

American universities. Thus, in the 1993 essay entitled "Ecofeminism: Toward Global Justice

and Planetary Health" authors Greta Gaard and Lori Gruen outline what they call the

"ecofeminist framework". The essay provides a wealth of data and statistics in addition to

outlining the theoretical aspects of the ecofeminist critique. The framework described is

intended to establish ways of viewing and understanding our current global situations so that

we can better understand how we arrived at this point and what may be done to ameliorate

the ills. Building on the work of North American scholars Rosemary Ruether and Carolyn

Merchant, Gaard and Gruen argue that there are four sides to this framework:

5. The mechanistic materialist model of the universe that resulted from the scientific

revolution and the subsequent reduction of all things into mere resources to be optimized,

dead inert matter to be used.

The rise of patriarchal religions and their establishment of gender hierarchies along with their

denial of immanent divinity.

The self and other dualisms and the inherent power and domination ethic it entails.

Capitalism and its claimed intrinsic need for the exploitation, destruction and

instrumentalization of animals, earth and people for the sole purpose of creating wealth.

They hold that these four factors have brought us to what ecofeminists see as a "separation

between nature and culture" that is for them the root source of our planetary ills.

6. Ecofeminism developed out of anarcha-feminist concerns with abolishing all forms of

domination while focusing on the oppressive nature of humanity's relationship to the natural

world. According to Françoise d'Eaubonne in her book Le Féminisme ou la Mort (1974),

ecofeminism relates the oppression and domination of all marginalized groups (women,

people of colour, children, the poor) to the oppression and domination of nature (animals,

land, water, air, etc.). In the book, the author argues that oppression, domination,

exploitation, and colonization from the Western patriarchal society has directly caused

irreversible environmental damage.[10] Françoise d'Eaubonne was an activist and organizer,


and her writing encouraged the eradication of all social injustice, not just injustice against

women and the environment.

7. This tradition includes a number of influential texts including Women and Nature (Susan

Griffin 1978), The Death of Nature (Carolyn Merchant 1980) and Gyn/Ecology (Mary Daly

1978). These texts helped to propel the association between domination by men of women

and the domination of culture over nature. From these texts feminist activism of the 1980s

linked ideas of ecology and the environment. Movements such as the National Toxics

Campaign, Mothers of East Los Angeles (MELA), and Native Americans for a Clean

Environment (NACE) were led by women devoted to issues of human health and

environmental justice. Writings in this circle discussed ecofeminism drawing from Green

Party politics, peace movements, and direct action movements.

8. Four main ecofeminist principles:

1) Both the oppression of marginalized groups and the oppression of nature are

connected by cause.

2) We must replace our culture of domination with an ethic of care.

3) All forms of oppression are unacceptable—and interconnected.

4) Understanding these connections is necessary for equitable change.

No comments:

Post a Comment

Note: Only a member of this blog may post a comment.

All Posts

" Indian "Tomb of Sand A Fine Balance A House for Mr. Biswas Absurd Drama Achebe Across the Black Waters Addison Adiga African Ages Albee Alberuni Ambedkar American Amrita Pritam Anand Anatomy of Criticism Anglo Norman Anglo Saxon Aristotle Ariyar Arnold Ars Poetica Auden Augustan Aurobindo Ghosh Backett Bacon Badiou Bardsley Barthes Baudelaire Beckeley Bejnamin Belinda Webb Bellow Beowulf Bhabha Bharatmuni Bhatnagar Bijay Kant Dubey Blake Bloomsbury Book Bookchin Booker Prize bowen Braine British Brooks Browne Browning Buck Burke CA Duffy Camus Canada Chaos Characters Charlotte Bronte Chaucer Chaucer Age China Chomsky Coetzee Coleridge Conard Contact Cornelia Sorabji Critical Essays Critics and Books Cultural Materialism Culture Dalit Lliterature Daruwalla Darwin Dattani Death of the Author Deconstruction Deridda Derrida Desai Desani Dickens Dilip Chitre Doctorow Donne Dostoevsky Dryden Durkheim EB Browning Ecology Edmund Wilson Eliot Elizabethan Ellison Emerson Emile Emily Bronte English Epitaph essats Essays Esslin Ethics Eugene Ionesco Existentialism Ezekiel Faiz Fanon Farrel Faulkner Feminism Feminist Criticism in the Wilderness Ferber Fitzgerald Foregrounding Formalist Approach Forster Foucault Frankfurt School French Freud Frost Frye Fyre Gandhi Geetanjali Shree Gender German Germany Ghosh Gilbert Adair Golding Gordimer Greek Gulliver’s Travels Gunjar Halliday Hard Times Hardy Harindranath Chattopadhyaya Hawthorne Hazara Hemingway Heyse Hindi Literature Historical Materialism History Homer Horace Hulme Hunt Huxley Ibsen In Memoriam India Indian. Gadar Indra Sinha Interview Ireland Irish Jack London Jane Eyre Japan JM Synge Johnson Joyce Joyce on Criticism Judith Wright Jumpa Lahiri Jussawalla Kafka Kalam Kalidasa Kamla Das Karnard Keats Keki N. Daruwala Kipling Langston Hughes Language Language of Paradox Larkin Le Clezio Lenin Lessing Levine Life of PI literary Criticism Luckas Lucretius Lyrical Ballads Macaulay Magazines Mahapatra Mahima Nanda Malory Mamang Dai Mandeville Manto Manusmrti Mao Marlowe Martel Martin Amis Marx Marxism Mary Shelley Maugham McCarry Medi Media Miller Milton Moby Dick Modern Mona Loy Morrison Movies Mulk Raj Anand Mytth of Sisyphus Nabokov Nahal Naidu Naipaul Narayan Natyashastra Neo-Liberalism NET New Criticism new historicism News Nietzsche Nikita Lalwani Nissim Ezekiel Niyati Pathak Niyati Pathank Nobel Prize O Henry Of Studies Okara Ondaatje Orientalism Orwell Pakistan Pamela Paradise Lost Pater Pinter Poems Poetics Poets Pope Post Feminism Post Modern Post Structuralism post-Colonialism Poststructuralism Preface to Shakespeare Present Prize Psycho Analysis Psychology and Form Publish Pulitzer Prize Puritan PWA Radio Ramanujan Ramayana Rape of the Lock Renaissance Restoration Revival Richardson Rime of Ancient Mariner RL Stevenson Rohinton Mistry Romantic Roth Rousseau Rushdie Russia Russian Formalism Sartre Sashi Despandey Satan Sati Savitri Seamus Heaney’ Shakespeare Shaw Shelley Shiv K.Kumar Showalter Sibte Hasan Slavery Slow Man Socialism Spender Spenser Sri Lanka Stage of Development Steinbeck Stories Subaltern Sufis Surrealism Swift Syed Amanuddin Tagore Tamil Literature Ted Hughes Tennyson Tennyson. Victorian Terms Tess of the D’Urbervilles The March The Metamorphsis The Order of Discourse The Outsider The Playboy of the Western World The Politics The Satanic Verses The Scarlet Letter The Transitional Poets The Waste Land The Work of Art In The Age of Mechanical Reproduction The Wuthering Heights Theatre of Absurd Theory Theory of Criticism Theory of Evolution Theory of Literature Thomas McEvilley Thoreau To the Lighthouse Tolstoy Touchstone Method Tughlaq Tulsi Badrinath Twain Two Uses of Language UGC-NET Ukraine Ulysses Untouchable Urdu Victorian Vijay Tendulkar Vikram Seth Vivekananda Voltaire Voyage To Modernity Walter Tevis War Webster Wellek West Indies Wharton Williams WJ Long Woolfe Wordsworth World Wars Writers WW-I WW-II Wycliff Xingjian Yeats Zadie Smith Zaheer Zizek Zoe Haller