Structure, Sign, and Play
The
essay “Structure, Sign and Play” begins with an attempt to find perhaps “something has occurred in the history of the concept
of structure that could be called an event” and asks the question “what would
this event be then?” and, “Where the
structure does occur?” (2) And answer is that the structure occurs in “the
centre... (which) permits the freeplay of its elements inside the total form.” (1)
It is a process of giving structure a center or a fixed origin. In doing so,
Derrida rejects the old notion which says that the center is “within the
structure and outside it”. He draws a relation between philosophical
concepts like “center”, “subject”, and “event”. In addition, he offers a
dichotomy of ways to think: “classical” v/s “poststructuralist.” Beside he thinks the center is not center as its
totality lies elsewhere called “the origin.”
For
Derrida, structure is a “rupture” or “series of substitution... a linked chain
of determinations.” (1) If we look at the structure of Anand’s “Untouchable” we find the structure
rooted not in poverty but in caste system which is result of hierarchal society
based on old notion of history. Thus, structure is a thought or law to govern
the human societies. “When everything became a system where the center is
signified, the original or transcendental, is never absolutely present outside
a system of differences.” (2)
Derrida studies various concepts
such as “an event,” “center,” “bricolage,” (the necessity of borrowing
concepts from other texts which leads to myth) and “totalization” to show the
relationship between writers such as Nietzsche (concept of being and truth
substituted with play, interpretation and sign), Freud (critique of self possession)
and Heidegger (destruction of metaphysics). Bricolage is not only as an
intellectual activity but also as a mythopoetical activity,” (6) which can be
applied to almost word for word to criticism, and especially to literary
criticism.
Derrida (in defining sign) says,
the relation between metaphysics and destruction of metaphysics describes a
unique circle. The metaphysics is attacked with the help of sign which is the
result of “opposition between the sensible and the intelligible.” (3) He
introduces the two ways to erase the difference: first, submitting the sign to
thought; second, going against the first. Derrida writes, “If one erases the
radical difference between signifier and signified, it is the word signifier
itself which ought to be abandoned as a metaphysical concept.” (3)
Freeplay (organising the structure) is “centered
structure” (1) and “notion of a
structure lacking any center represents the unthinkable itself.” (1)
Derrida attacks all western for the hierarchy in
speech/ writing, nature/ culture etc. He
undermines the concept of hierarchy created by Strauss that is between nature
and culture and says that nature is superior to culture; speech is natural and
writing is culture so speech is superior to writing. Structuralists believe
that speech is primary and superior to writing but Derrida opposes by saying that
the vagueness of speech is clarified by the writing. The writing has the
pictorial quality of the speech, both are equally important, there is no hierarchy.
Derrida breaks this hierarchy bringing the example of incest prohibition.
Strauss says that “incest prohibition” (5) is natural and the outcome of
culture; hence it becomes a norm, therefore, it belongs to culture.
This is the state to which he calls “scandal.” Both
nature and culture go side by side, so we can't claim nature as superior to
culture, both are interrelated and something can occupy the nature and culture
at the same time. We can say that without female the concept of male can't exist.
Here he thinks, “The whole of philosophical conceptualisation ... is designed
to leave in the domain of unthinkable.” (5) Structuralists believe that from
much binary opposition, single meaning comes but Derrida says each pair of
binary oppositions produces separate meanings. So, in a text, there are multi meanings.
Similarly, Levi-Strauss has made the hierarchy between artist and critic. He
claims artist is originator but critic comes later. Likewise artist uses first
hand raw materials as engineer does but critics use second hand raw materials.
In contrary to him Derrida argues that neither artists nor critic works on
first hand materials, rather both of them use the materials that were already
existed and used. In this sense, there is no hierarchy between them. The binary
opposition between literary and non-literary language is an illusion.
In short, Derrida means to say that meaning is just
like peeling the onion and never getting a kernel. The prime objective of
deconstruction is not to destroy the meaning of text but is to show how the text
deconstructs itself. In future, Derrida’s ideas heavily influenced theories
like psychoanalysis, new historicism, cultural studies, post colonialism,
feminism and so on.
Here Derrida defines not only the structure a
“rather structurality of structure.”(1) The opening makes it clear that the
quarrel is between “western science and western philosophy—and ... the soil of
ordinary language.” (1) Most of the concept are taken from the syntax of
Levi-Strauss, Nietzsche, Freud, Heidegger, Rousseau and Husserl and “every
particular borrowing drags along with ... the whole of metaphysics.” (3) The
question of reltationship between the language and the relation between the
human science is a always “a problem of economy and strategy” (4) which oppose
nature to law, to education, to art and technics—and also to liberty, to the
arbitrary, to history, to society, to the mind and so on.” (4)
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